(Figure 1.1) Walking All Over Women |
(Figure 1.2) Perfect Body Campaign by Victoria's Secret |
A major part of how an environment, in this case advertising, can be toxic is the way that is treats gender identity. Similar to how bell hooks speaks about her own oppositional gaze to the lack of women of color on movie screens, similarly the average woman are surrounded by women they can't possibly identify with. How could it be possible to identify with women who aren't even themselves in the photos due to photoshop giving them an unattainable level of societal perfection? Part of the issue lies with gender identity. "[Ads] are really projecting gender display -- the ways in which we think men and women heave -- not the ways that actually do behave...women are primarily depicted as sexual objects" (Cortese 52) In both figures 1.1 and 1.3, women are being depicted as objects -- a rug for people to step on and a closet of sorts for those to take what they want out of her. These depictions of women are intolerable at best. If there is already a binary world with two genders, to humiliate one is of them is unfair at best.
(Figure 1.3) Female Objectification |
Whether it's selling a rug or shoes or a car (Figure 1.4) the idea of women having a brain, or even free will, does not often appear in most advertising. As Jean Kilbourne said earlier, there are two types of women in advertising: sex objects or perfect housewives. In Figure 1.4, Ford's ad campaign is suggesting that the car is so easy to drive that even a woman could do it, even if she doesn't like to drive. Cortese's idea of gender being performed through advertising is shown here with the hyper-feminine idea of a woman and a wife. "Advertisers targeting women consumers subrscribe to very limited notions of what constitutes femininity (e.g., dependency, concern with superficial beauty...)" (Cortese 52) There is no more room in society to grow. You are either a man or a woman, and according to advertising, a simple housewife or a sexy object.
(Figure 1.4) 1950's Ford Commercial
Popular culture is founded on the ideals found in these advertisements and campaigns. It shapes the way that we view gender and we view identity. I have grown so reluctant to identifying with any advertising campaign because I know that behind it, the only motivation is how to generate revenue. However, in a capitalist society, that will simply continue to be. However, the future does not have to be so grim. One fool proof way to change advertising, and society for that matter, is for it to bend gender roles. Easy enough, show more women doing "masculine" tasks, like engineering, and more men doing "feminine" tasks, like caring for a child. There is no reason to box any person's interests or desires into distinct categories. The purpose of advertising does not have to be maintaining a male kept world, as Wolf says. The purpose of advertising could potentially be making the satisfying things that make up real life become appealing and desirable: acing an exam, getting a promotion, or feeling glad that you benefited someone or something that day. I'm just going to go ahead and say that as a society, we need to understand that "slapping into a tummy party, snapping into a Slim Jim" (Figure 1.5) benefits no one.
(Figure 1.5) Slim women playing with beef jerky,
overweight, shirtless men playing with beef jerky
Works Cited:
Cortese, Anthony J. "Constructed Bodies, Deconstructing Ads." The Pop Culture Zone. N.p.: Wadsworth, 2009. 52. Print.
Kilbourne, Jean. "Beauty and the Beast of Advertising." Media & Values 1989: 121-25. Web.
Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used against Women. New York: W. Morrow, 1991. 59. Web.
Cortese, Anthony J. "Constructed Bodies, Deconstructing Ads." The Pop Culture Zone. N.p.: Wadsworth, 2009. 52. Print.
Kilbourne, Jean. "Beauty and the Beast of Advertising." Media & Values 1989: 121-25. Web.
Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used against Women. New York: W. Morrow, 1991. 59. Web.
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